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Yamini Yadav
I was first introduced to Marathi cinema through my father, who often spoke
about how deeply it resonated with him sometimes even more than Hindi cinema. One of the first films he urged me to watch was Kaksparsh, directed by Mahesh Manjrekar, and it has stayed with me ever since.
Kaksparsh is a hauntingly powerful cultural tragedy that shows the cruel reality imposed on widows within certain traditions. It depicts how a woman’s identity can be snatched the moment she loses her husband, and how society’s unbelievable expectations leave her with little room to exist beyond the label of being widow.
Set in a conservative Konkan Brahmin household, the film shows the silent suffering, emotional suffocation, and unspoken resilience of a widow trapped between duty and desire.
It’s an experience that confronts you, moves you, and stays with you.
16 Nov’25 06:05