Redux Redux

in the moment I read its synopsis. A low-budget indie film with a big vision and a risky mix-genre concept, it instantly sparks curiosity. The story follows Irene, a woman trapped in a brutal cycle of vengeance—killing her daughter’s murderer again and again across different universes. The film throws you straight into the middle of a time-traveler’s journey, deliberately disorienting you. You keep wondering: Is she stuck in a time loop? Is this repetition real or psychological? The confusion lingers, and then slowly, as the dust settles, the bigger picture begins to make sense. While watching, questions keep popping up—some the film answers, some it deliberately leaves hanging. And that’s part of the experience. Redux Redux takes you on a relentless ride where themes like human connection, emotional bonding, loss of identity, hatred, rage, revenge, grief, suffering, humanity, and the search for solace constantly collide. What makes it stand out is how confidently it blends these emotions with its genre elements. It feels dark, unsettling, yet strangely fresh—like a familiar thriller told from a new angle. By the end, the film that don’t glorify revenge, but instead explore its psychological cost. Confusing at times, yes—but also engaging, haunting, and refreshingly different. Those who enjoy exploring films built around time travel, non-linear storytelling, and multiverse concepts can also give this one a try.