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Binge Label
The concept of illustrating how the protagonist's life changed was not
effectively conveyed in the screenplay, resulting in a dull narrative that made it difficult for me to watch.
Cinishna .
'TÁR' is a character study that reeks of pandering, pandering to the old school
idea of great cinema where the movie is (for the most part) uneventful af.
Acting & the playing of
Shashank Kapoor
A story about a somewhat paranoid (at moments) megalomaniac ( a girlboss if I
may ) composer/conductor whose apathy toward the world around her leads to her descending further &
Rudrangshu Samanta
Full of spoilers ahead -
That year's best performance.
This is not at all a perfect movie but i am so intrigued with everything shown here most of the part I missed completely on
Friend _O
Feels like there's a lot going on to pick up on first watch.
Great oners especially the Juilliard scene was mind-blowing. No comments about Blanchett's performance.
Nona Prince
At first it was all just going over my head, all the music jargan but soon you
realise its not about that at all. The way the film slowly breakdown the character and show us the
Nothing But Films
Somewhere lurking in this film was a great story.
Loss of form while telling a story is important but films like Tár frustrate me further because there was a potential to be more.
𝒮𝒾𝒹𝒹𝒽𝒾𝓀𝒶 .
Demanding and paranoiac Lydia Tár, is a face full of flaws and yet a
perfectionist, thwarting the notions of a saintly artist. The film delves deep into her character and her
Ashwin Panneerselvam
Repeated by works and story wise.
But cate took it to the next level. Watchable
Long Live Cinema
Absolutely captivating performance by Blanchett
Humans Of Cinema
In a year full of humane, flawed protagonists, Lydia Tár, from Todd Field’s
eponymous film, is perhaps one of the most compellingly divided characters. If her actions are