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Humming Tune
'Kalki 2898 AD' is undoubtedly a technical milestone for Indian cinema,
showcasing impressive visual and production achievements. However, the film falls short in a few critical areas. The background score feels out of sync with the narrative, and Prabhas's attempt at comedy comes off as forced, detracting from the overall experience. Despite the film's lengthy runtime, none of the characters managed to forge a meaningful emotional connection, leaving the story feeling hollow.
23 Aug’24 12:40
Sagar Kapoor
It’s trauma through and through.
Kaushik Manivezh
A legendary film directed by Nag Ashwin that is filled with many goosebumps
moments with out of the world VFX and mind - blowing screenplay.
The starting scene of this movie was
Sidcinnati .
Another film with massive expectations this year.
Since its theatrical release, I've a lot glowing reviews and a lot of reviews that have bashed the film, Arshad Warsi has been
Adith Gopal
Peak CGI Marvel! 😭💗
Bachan maman was born to fulfill this role.
cameos kollam, war sequences are damn good bruh,
benchmark CGI for Indian cinema,
Prabhas, but why?
katta
That1 Reviewer
Kalki 2898 AD is a visually stunning Telugu language science fiction film
directed by Nag Ashwin. The film is set in a dystopian future and draws heavily on Hindu mythology,
Partiv Rajeev
"Kalki had fantastic graphics and technical aspects.
Amitabh Bachchan's performance was superb and convincing. However, Prabhas' introduction felt cringy, and Keerthi Suresh's car
Srikar N
.
Arkaus YT@arkaus
Kalki 2898 AD is..
Decent enough.
A very Mid 1st Half, Saved by A really good 2nd Half.
Kudos to Director Nag Ashwin for the Vision & Execution. But, very simple textbook
Aarya 🌷
Would've given 5 stars if the movie consisted of only the 2nd half.
Slow pacing and mindless comedy create a messy 1st half. The first action sequence with Prabhas was
Anushree Writes_
For me, the entire movie was the ending 15-minute climax.
It was spine-chilling. I am waiting for Part 2.
Movie Lover
.
Nona Prince
Just the audacity to try something like this, not perfect but I'm awe of the
attempt
Immortal Cinephile
SPOILERS 💀
VFX is top-notch, but the story? Total 🤡.
Why do people idolize Karna when he was the real culprit behind Draupadi's humiliation?
Comparing Karna to Arjuna is
Aln Binoy
😐
Suchit Seth
Kalki 2898 AD is one of the best films from Indian Cinema in 2024 with
outstanding performances from the entire cast and crew. The cameos are well integrated with excellent
Sucharita Tyagi
The central conflict of a film like Kalki, is seemingly drawing parallels with
a liberal society’s warnings of an upcoming anarchic state jahaan fascist aur repressive, all
Aanya Jain
This movie is only watchable for:
Amitabh Bacchan
VFX!
Unnecessarily long
film, first half seemed like there was no editor at all, the unnecessary 3 long fights of the main
Satwant Singh
1st half flat for me..
Real movie start from the 2nd half
Vyomesh Thakker
Great special effects, it an indigestible combination of mythology and fiction.
It’s the play of the collective unconscious that never errs.
NAVAS ATHANIKKAL
KALKI 2898 AD
The movie Kalki 2898 AD is an absolute milestone in Indian
cinema. What a world-building! The blending of story with mythology and sci-fi was fantastic. and the
Telugu 70mm
Jai prabhas
Anand K
If you've seen Elysium, Dune, Mad Max: Fury Road, Star Wars, Oblivion, or
Passengers, this film may feel all too familiar. It shamelessly borrows from these sci-fi classics while
Sid Soma
Kalki is derivative, borrowing elements from Dune, Elysium, Black Panther,
Avengers, Star Wars, Matrix, and In Time. However, the crux of the story is deeply rooted in Indian
EvilBro ™
😁✌️
Rishi Nanda
The movie utterly takes a lot of time to set up the premises but molds up a
good shape with the running time as the movie progresses
Aman .
👍🏻
Stream Genx
Kalki 2898 AD is a visually stunning and ambitious dystopian sci-fi film that
blends ancient Indian mythology with a futuristic narrative.
Featuring some groundbreaking visual
Soumya Sarkar
Mahabharat without Ram
Harman Singh
.