Sucharita Tyagi
The film is watching you watch it, and doesn’t want to be blamed for presenting
a one-sided, incomplete narrative. While Dasru is runs and hides, the narrator shifts and for large swaths of time, we become Ratnakar, the police officer reluctantly giving him chase, played effortlessly by an always excellent Mohammed Zeeshan Aayub. Just like the man he is being made to hunt, all Ratnakar ALSO wants to do go home. When he gets to Dasru’s village, is when the film’s true intentions emerge, once again Makhija wants to go to the genesis of the lawlessness one hears about in certain parts of the country. If minors are being imprisoned for carrying their traditional bow and arrows, are the laws themselves not responsible for turning them into criminals? Something shifts in Ratnakar when he sees a tribal police officer, played by an incredible Jacky Bhavsar, made to dress like a woman and dance for his colleagues, not as a joke, but a proper production that’s clearly been going on for a while. Ratnakar is slowly realising this posting isn’t going to be as straightforward as he had thought, and to do his job right, he must find the cause of this effect.
3 May’24 19:43
Shashank Shourya
How often does it happen that you watch a movie and end up researching about
the director’s body of work. This is a special film.
Growing up in Jharkhand and living close by the
Shridhar Manivannan
A hard hitting tale that deals between revenge and survival.
Vyomesh Thakker
Whom to blame; cause there is not just one culprit here.
This is an awesome movie; it brings to light various perspectives. Feel deeply for the Adivasi Community that has to
dhaiwat mehta__
I'm speechless for this masterpiece; Devashish took his time and that intro
scene will stay with me for a long time... The way that Swing shot taken or that Dam scene. Manoj
Ankit Agrawal
Its our film at jio mami.
Plz watch
Satwant Singh
👌
Rudrangshu Samanta
https://youtu.be/tqgdlTbVSoE?si=N3kZnh9k0OV1EKqB
(With Subtitles)
Thriller part was so gripping till the end
Long Live Cinema
Cinema is a mirror of the society and Joram is a great example of the same!
Baradwaj Rangan
Hindol Hazra
With Joram, filmmaker Devashish Makhija focuses our gaze on the struggles of
India's indigenous people - the adivasis, and how their fundamental rights are being violated by
Rishabh Chand
It follows a father who is on the run with his little baby girl to escape the
ghosts of his past and the forces that want him dead
Jinesh Muralidharan
Another creation from the Bhonsle gang which won them the national award .
Manoj Bajpayee playing dasru is the part of the indigenous tribe of Jharkhand and he joins a rebel group
MAN OF CINEMA
The land where you and your previous generations are born and grew up that does
not belong to you, your own country don't recognise you as normal citizen, you dont have similar
Friend _O
Been a while since I was left in awe with all the images that were showcased on
that silver screen. I was left with this feeling of helplessness during multiple points in the
Chalchitra Talks
Vaibhav's thoughts on Devashish Makhija's Joram:
Nothing makes me more happy
than seeing Devashish Makhija succeed in life. If you have seen the episode I did with him, you might